Wifedom: Mrs Orwell's Invisible Life
This is the story of the marriage behind some of the most famous literary works of the 20th century —and a probing consideration of what it means to be a wife and a writer in the modern world
"Simply, a masterpiece...Funder not only re-makes the art of biography, she resurrects a woman in full." —Geraldine Brooks, winner of the Pulitzer Prize, author of Horse
At the end of summer 2017, Anna Funder found herself at a moment of peak overload. Family obligations and household responsibilities were crushing her soul and taking her away from her writing deadlines. She needed help, and George Orwell came to her rescue.
"I’ve always loved Orwell," Funder writes, "his self-deprecating humour, his laser vision about how power works, and who it works on." So after rereading and savoring books Orwell had written, she devoured six major biographies tracing his life and work. But then she read about his forgotten wife, and it was a revelation.
Eileen O’Shaughnessy married Orwell in 1936. O’Shaughnessy was a writer herself, and her literary brilliance not only shaped Orwell’s work, but her practical common sense saved his life. But why and how, Funder wondered, was she written out of their story? Using newly discovered letters from Eileen to her best friend, Funder re-creates the Orwells’ marriage, through the Spanish Civil War and the Second World War in London. As she peeks behind the curtain of Orwell’s private life she is led to question what it takes to be a writer—and what it is to be a wife.
A breathtakingly intimate view of one of the most important literary marriages of the twentieth century, Wifedom speaks to our present moment as much as it illuminates the past. Genre-bending and utterly original, it is an ode to the unsung work of women everywhere.
*Includes a downloadable PDF of photographs and notes from the book
- ISBN
- 9780241482735
Reviews
- emotionalreflectivesadSlow-paced
Started February 15, 2024 · Finished February 18, 2024
I was very excited about this book but found it very disappointing in the end, perhaps because the author was writing for people who were already obsessed with Orwell. I wasn't interested in him but liked the idea of learning about how his wife had been erased by biographers. Unfortunately I still don't feel like I know very much about her, or about the processes by which the author learned about her life. (Which seems like it would be actually interesting, unlike the rather conveniently topical and overwritten memoir sections.) Early on the author says something about how she had been thinking about writing a novel but decided not to since it felt like talking over Eileen. It felt like she went on to do that for 600 pages anyway, so I would rather have had the novel. (This is one of those books where 'X must have thought/felt/done Y' does a LOT of heavy lifting and it got very annoying by the end.) Also I was pretty annoyed the book kept going talking about George for another 100 pages after Eileen died? Thanks but I don't care about this man? Who I did not think the book was about? Why are we suddenly fantasizing about him thinking about her after she dies? I guess I just had the wrong expectations, but I am honestly really confused about how highly praised this is. Maybe it makes more sense if you've read a lot of Orwell already. It certainly seemed to expect you to have read all the other biographies so you could fill in the blanks of the actual information. Finally I guess a minor complaint but it sure uses [the word for cigarettes that begins with F] an awful lot outside of quotations for a book published within the last 10 years. Was that genuinely necessary.
